May 2012
23 posts
Patternicity is common across the animal kingdom. Early studies in the 1950s by...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
This is not just a theory to explain why people believe weird things. It is a...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
Unfortunately, we did not evolve a baloney-detection network in the brain to...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
We are the descendants of those who were most successful at finding patterns....
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
Inspired by Skinner’s classic experiments, Koichi Ono of Komazawa University in...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
Our brains are belief engines, evolved pattern-recognition machines that connect...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
Imagine that you are a hominid walking along the savanna of an African valley...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
In the cortex of our brains there is a neural network that neuroscientists call...
In any case, if there is an afterlife and a God who resides over it, I intend to...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
Over the past three decades I have noted two disturbing tendencies in both...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
(…) as Yogi Berra once said, “In theory, there is no difference between theory...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
In the cortex of our brains there is a neural network that neuroscientists call...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
The brain is a belief engine. From sensory data flowing in through the senses...
– Shermer, Michael. The Believing Brain: From Ghosts and Gods to Politics and Conspiracies — How We Construct Beliefs and Reinforce Them as Truths. New York: Times Books, 2011.
In I-art, then, (df.) the form/content of the artwork is significantly affected...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
Audiences are never wholly passive, of course, since art-appreciation involves...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
As for evolutionary programming, this has given rise to an important sub-class...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
We (…) prefer to define CG-art less tidily, as art wherein (df.) the artwork...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
These disciplines see generative systems as sets of abstract rules that can...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
Even more control was lost, or rather deliberately sacrificed, when Hans Haacke,...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
The sub-class of C-art which interests us is the type where the computer is not...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
The second reason why the definition of C-art given above is too catholic for...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
(…) the concept of computer art, or C-art. By C-art, we mean (df.) art in whose...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
There is no doubt that I am interested in the rules themselves, not merely in...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
April 2012
30 posts
In what I count as generative art, by contrast, the rules must be constructive....
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
(…) the label ‘generative art’, as used in the community concerned, has acquired...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
However, computer artists—and computer scientists, too—know from their own...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
Rules are at the heart of this type of art. But what computer scientists call...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
(…) the philosopher Max Bense—who had composed the manifesto for the original...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
The terms ‘generative art’ and ‘computer art’ have been used in tandem, and more...
– Boden, Margaret A., and Ernest A. Edmonds. “What is generative art?” Digital Creativity 20. 1 (2009): 21-46.
For Tomasello, the singularity of our species rests upon a unique capacity for...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
It has been proposed that the human brain is specifically “preadapted” for...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
Religion is a kind of parasite that rides piggyback on the cognitive modules...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
A visual competence for faces emerges in all humans early in infancy. It is...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
The human brain never evolved for reading. Biological evolution is blind, and no...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
The invention of reading led to the mutation of our cerebral circuits into a...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
Why is our nervous system so insensitive to the left-right inversion? Probably...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
(…) whenever an image becomes familiar, our memory often fails to specify its...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
Thanks to Stephen Jay Gould’s eponymous book, the panda’s thumb has become the...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
If organisms were flawless, I might perhaps have some sympathy for intelligent...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
There is no doubt that the main effect of literacy is positive: learning to read...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
Education inoculates us with the reading virus. It spreads quickly to our...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
In Phaedrus, Plato imagines an exchange between the Egyptian king Thamus and...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
(…) Plotinus was wrong. If hieroglyphs, like a cartoon, had indeed provided...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
An age-old tradition speculates that writing began with the pictorial...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
In summary, whether by design or thanks to some extraordinary intuition, the...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
If we disregard orientation, two strokes always make a T, an L or an X. Three...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
All writing systems assume that the location and size of characters is...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
(…) the diversity of the existing writing systems bears examination. Even a...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
The idea that writing is a gift of God recurs in cultures all around the world....
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.
(…) the metaphor of a “cultural epidemic” is particularly well suited to...
– Dehaene, Stanislas. Reading in the Brain: The Science and Evolution of a Human Invention. New York: Viking, 2009.